{"id":2954,"date":"2022-07-18T17:24:07","date_gmt":"2022-07-18T15:24:07","guid":{"rendered":"https:\/\/charlescarrere.art\/the-multifaceted-artist\/la-recherche-plastique\/"},"modified":"2023-05-01T13:22:45","modified_gmt":"2023-05-01T11:22:45","slug":"the-plastic-research","status":"publish","type":"page","link":"https:\/\/charlescarrere.art\/en\/the-multifaceted-artist\/the-plastic-research\/","title":{"rendered":"The plastic research"},"content":{"rendered":"

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Charles Carr\u00e8re never stopped to maintain his general knowledge throughout his life. As he said: “An artist needs food”. He listened to the radio, whether as a master glassmaker or as an artist. He listens to France Culture and France Musique. At the same time, he assiduously visited specialised bookshops and ordered certain works to perfect his knowledge. It was after the war that he discovered art magazines such as Labyrinthe, l’Oeil and Traits to name but a few.<\/p>\n\n\n\n

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Photos\u00a9JanieC<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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From then on, his research immediately took a different turn. He tests and studies the ways of expression of pictorial art. Thus, as an exercise, he imitates, copies and then seeks to find his style.<\/p>\n\n\n\n

THE “D\u00c9TOURNEMENTS” <\/h2>\n\n\n\n

Charles Carr\u00e8re draws a lot and with talent. He was always looking for new subjects to explore in his drawings. He had seen the work of Brueghel the Elder, “Le Pays de Cocagne”, and liked the Master’s style. From then on, he had fun diverting a detail of the painting to make a “Carr\u00e8re work”.<\/p>\n\n\n\n

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“Le Pays de Cocagne” by Pieter Brueghel l’Ancien
photo\u00a9The Yorck Project (2002) – commonswikipedia.org<\/figcaption><\/figure>\n\n\n\n

In this painting in the Alte Pinakotek Museum in Munich, a peasant, a soldier and a scholar are seen lying down to digest. It is indeed a time of plenty, and we can even see wafers growing on the roof. And then between the peasant and the scholar we see an egg\u2026. it’s a very small detail\u2026<\/p>\n\n\n\n

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Charles Carr\u00e8re chose this detail and copied it in his own way from a different angle, making it the main subject of his drawing: Astonishment in the henhouse<\/p>\n\n\n\n

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“Astonishment in the henhouse” by \u00a9CharlesCarr\u00e8re <\/figcaption><\/figure>\n\n\n\n


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The artist will work a lot on his drawing and will play with Goya, Bosch and D\u00fcrer, the great masters he admires.
The Focus essay will highlight one of the artist’s works and explain it in detail<\/p>\n\n\n\n

THE COLLAGES<\/h2>\n\n\n\n

The first technique that surprised him was collages when he discovered those of Braque and Picasso. He then started collecting everything that could be useful to him. He kept the advertising magazines he found in his mailbox, and bought cakes at the bakery to keep the lacy paper. He also cuts out pictures from magazines and stores materials he thinks will be useful.<\/p>\n\n\n\n

Charles Carr\u00e8re defines his research work as follows: “I start by creating a background painted with gouache or watercolour which will serve as a basis. Then, the collages are an amalgam of different elements which, arranged in a certain way, will create volume and perspectives. You could say that I create a 3D effect.<\/p>\n\n\n\n

Here are two works: on the left Charles Carr\u00e8re pays homage to Pablo de Sarasate, a Basque violinist and composer from Iru\u00f1a (Pamplona), and on the right Icarus, a character from Greek mythology, son of Daedalus, who flew too close to the sun, which caused his feathers to melt and stick to the wax. Charles Carr\u00e8re defines Icarus’ look as desperate because he is aware of his fall and its outcome.<\/p>\n\n\n\n

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Sarasate \u00a9CharlesCarr\u00e8re
Photo\u00a9JanieC<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Icare \u00a9CharlesCarr\u00e8re
Photo\u00a9JanieC<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Here are “Oyster” and “Bouquet” two other works. Charles Carr\u00e8re liked his bouquet because, he said, you can see the three-dimensional effect of the painting. For the oyster it is the human eye that creates a strange effect. The choice of pastry lace is not insignificant. The artist explains that it is to emphasize that the oyster is a refined element. And the eye is there to watch who is going to eat it.<\/p>\n\n\n\n

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Hu\u00eetre \u00a9CharlesCarr\u00e8re
Photo\u00a9JanieC<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Bouquet \u00a9CharlesCarr\u00e8re
Photo\u00a9JanieC<\/figcaption><\/figure>\n\n\n\n

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THE GAZE, THE MAIN FOCUS OF THE RESEARCH<\/h2>\n\n\n\n

Charles Carr\u00e8re’s drawers are overflowing with photos. And some of them seem strange\u2026 like for example the pictures of kitchen towels. And then if you look through his work, you end up understanding. Charles Carr\u00e8re used to say: I throw the cloth away and then I look at how it fell. And if I like it, I photograph it because I know that I will use it one day\u2026. Here is an example with this collage: “Three glances at a pantry”.<\/p>\n\n\n\n

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Photo of a dishcloth and “Three glances at a pantry”by \u00a9CharlesCarr\u00e8re<\/figcaption><\/figure>\n\n\n\n

Other photos remain in the enigma stage but the inventory of his work will undoubtedly help to solve the mystery. There are photos of gloves arranged in a certain way with their fingers in the air, photos of shoes etc\u2026 Once the photos have revealed their use by Charles Carr\u00e8re, a Focus will be devoted to this subject.<\/p>\n\n\n\n

RESEARCH ON DILUTION<\/h2>\n\n\n\n

Charles Carr\u00e8re expands his painting techniques by playing with dilutions, drips, wet papers, splashes of water, drops deposited to create an effect with sometimes the addition of ink superimposed on the watercolour gouache. Below, a portrait of the artist’s mother. Charles Carr\u00e8re wet the paper before creating the background but then played with the amount of paint. Sometimes he had to blow a little on the drawing or simply tilt the paper to accentuate the dilution movement.
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Charles Carr\u00e8re’s mother \u00a9CharlesCarr\u00e8re
Photo\u00a9JanieC<\/figcaption><\/figure>\n\n\n\n


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Back to the main page: The multi-faceted artist<\/strong><\/a><\/p>\n\n\n\n

Or back to the <\/a>home page<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Charles Carr\u00e8re never stopped to maintain his general knowledge throughout his life. As he said: “An artist needs food”. He listened to the radio, whether as a master glassmaker or as an artist. He listens to France Culture and France Musique. At the same time, he assiduously visited specialised bookshops and ordered certain works to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2881,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2954","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/charlescarrere.art\/en\/wp-json\/wp\/v2\/pages\/2954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/charlescarrere.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/charlescarrere.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/charlescarrere.art\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/charlescarrere.art\/en\/wp-json\/wp\/v2\/comments?post=2954"}],"version-history":[{"count":9,"href":"https:\/\/charlescarrere.art\/en\/wp-json\/wp\/v2\/pages\/2954\/revisions"}],"predecessor-version":[{"id":3882,"href":"https:\/\/charlescarrere.art\/en\/wp-json\/wp\/v2\/pages\/2954\/revisions\/3882"}],"up":[{"embeddable":true,"href":"https:\/\/charlescarrere.art\/en\/wp-json\/wp\/v2\/pages\/2881"}],"wp:attachment":[{"href":"https:\/\/charlescarrere.art\/en\/wp-json\/wp\/v2\/media?parent=2954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}